CD REVIEW - SOLAMENTE NERO
Solamente Nero
Music by Stelvio Cipriani, performed by Goblin
Digitmovies CDDM099 (Italy)
35 Tracks 41:42 mins
Due to contractual reasons, director Antonio Bido could not get his first choice, the group Goblin, to score this 1978 thriller. However, although the score was eventually composed by Stelvio Cipriani, it is Goblin who actually perform the music. I can't say as I've ever previously heard a Goblin score throughout, but imagine this is pretty much what they sound like, a mixture of rock and electronica, with moments of grating experamentalism - not to my taste at all, but mercifully many of the more experimental tracks are quite brief. Cipriani is however a melodic composer and sets out his themes, as one would expect, bringing the occasional respite with "La Dolce Sandra,"a nice melody, heard in a number of differing arrangements; and the source cues, the piano solo "Il Giovane Professore" and the brief accordion of "L'Ospite di Campagna." And do stay until the end, as "La Fattucchiera" offers some dramatic and increasingly unhinged string writing, with "Gli Inganni" bringing things to a pacy and quite exciting close, with strings again to the fore.
As always, the colourful booklet accompanying the disc features stills and artwork from the film, together with a brief introduction by Pierluigi Valentini & Claudio Fuiano, with the director also giving an account of how the unusual musical collaboration on his film was forged. Visit www.digitmovies.com.
Solamente Nero
Music by Stelvio Cipriani, performed by Goblin
Digitmovies CDDM099 (Italy)
35 Tracks 41:42 mins
Due to contractual reasons, director Antonio Bido could not get his first choice, the group Goblin, to score this 1978 thriller. However, although the score was eventually composed by Stelvio Cipriani, it is Goblin who actually perform the music. I can't say as I've ever previously heard a Goblin score throughout, but imagine this is pretty much what they sound like, a mixture of rock and electronica, with moments of grating experamentalism - not to my taste at all, but mercifully many of the more experimental tracks are quite brief. Cipriani is however a melodic composer and sets out his themes, as one would expect, bringing the occasional respite with "La Dolce Sandra,"a nice melody, heard in a number of differing arrangements; and the source cues, the piano solo "Il Giovane Professore" and the brief accordion of "L'Ospite di Campagna." And do stay until the end, as "La Fattucchiera" offers some dramatic and increasingly unhinged string writing, with "Gli Inganni" bringing things to a pacy and quite exciting close, with strings again to the fore.
As always, the colourful booklet accompanying the disc features stills and artwork from the film, together with a brief introduction by Pierluigi Valentini & Claudio Fuiano, with the director also giving an account of how the unusual musical collaboration on his film was forged. Visit www.digitmovies.com.
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