Michael A Levine's Music for Cold Case

COMPOSER MICHAEL A. LEVINE
GOES BACK IN TIME FOR
"COLD CASE" Apr. 9
Creates Period Song for Series' Oldest Unsolved Crime

(Los Angeles, CA) Composer Michael A. Levine known for scoring two hit CBS -series, Cold Case and Close to Home, has written the song "300 Flowers" for "Beautiful Little Fool," a Cold Case episode premiering April 9, 9 p.m.
PST/EST. Liz Garcia wrote the episode and provides the lyrics for the song in the style of Gershwin and Cole Porter, which contains a clue to the identity of an aspiring songwriter killed in 1929. This is the oldest unsolved crime the series has ever featured. The episode also marks the first time the show has used an original song over its closing montage,
Michael's contemporary arrangement of "300 Flowers."

Winner of two Clio Awards for his work in advertising, Michael's groundbreaking combination of high-tech sound design with music became his calling card. His music for the first of his two Clio Awards, the
Mitsubishi Eclipse campaign, combined Japanese flute, an operatic soprano, world percussion, and electronically processed animal noises. Michael's once-radical approach employed on the Mitsubishi spots became so widely imitated by others in car commercials that the formula eventually became an advertising cliché. Still, his best-known ads are his jingles "Wacky Wild
Kool-Aid Style," "Motts and Motts of Motts," and, most infamously, "Gimme a
Break" for Kit Kat, which is widely considered to be one of the most effective "earworms," a term used to describe a bit of music that you can't get out of your head, whether you want to or not. Grammy winning American
Idol champ Carrie Underwood sang it on this year's campaign.

Born in Tokyo, Michael was raised in the Midwest and schooled in Canada
(McGill Univ.), Wisconsin (UW), and Boston (Berklee College of Music). He moved to New York City where his first job was playing violin on the streets. In the early 80s he founded the legendary No Guitars, one of the first bands to have a video on the just-launched MTV. He also managed to squeeze in gigs as a fiddle player on the NYC country, folk, and Irish scenes, working with then-unknown Shawn Colvin. Michael returns to his roots on an April 2 episode of Cold Case where he briefly appears playing "Wilkommen" from Cabaret on the violin and also as a violin-playing pirate in the upcoming Pirates of the Caribbean: Dead Man's Chest.

Michael is working with William Phillip McKinley on mounting a production of
"Orpheus Electronica," a multi-media techno-opera which sets the myth of Orpheus in an underground dance party. McKinley directed the Broadway hit musical The Boy From Oz, starring Hugh Jackman, and also directs The Ringling Bros. Circus.


So what did I think of "300 Flowers" and Michael A. Levine's music for the show in general? Well, from the promotional discs furnished me, I would say that "300 Flowers" effectively echoes the kind of lounge-style ballad from years gone by. It may not be to the taste of the young, but those of use shall we say of a more mature age will find it enjoyable, even if the uncredited female vocal is somewhat raw for my taste. As for Levine's music for the show, the promo disc presents music from both Season's One and Two, and is very much of the synths and samples variety, though, if they are samples, they are very good, as there are some fine piano, cello and trumpet solos. There are propulsive, beat-driven, and fateful cues, with big crescendos where required, and more poignant, and emotional fare. The odd jazz cue finds its way into the mix like "Red Glare Lament, and the bluesy "The Letter," with its wordless male vocal is very affecting. All in all, effective TV scoring.

Anyway, if you are Stateside, check out the show tomorrow night. Here in the U.K., re-runs of the first season are available on Freeview, whilst Season Two doesn't appear to be airing on Satellite at the moment.

My thanks, as always, to Costa Communications for providing the news and the music to make this report possible.